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Orient XXI

Tripoli (Lebanon)

  • A lively crowd enjoys live music from performers with electronic instruments on stage. لبنان. في طرابلس، عودة الروح للمشهد الثقافي والهوية المحلية Michelle Eid · 17 July
  • The image shows a soldier wearing military gear and holding a weapon, standing guard in front of a building. In the background, a group of people, predominantly women dressed in various styles of clothing and headscarves, are gathered near the entrance of the building. The setting appears to be an urban area, with graffiti visible on the wall behind the soldier. The atmosphere suggests a controlled environment, possibly in the context of an event or security operation. Parliamentary Elections in Lebanon. Tripoli, the Disenchanted Capital of the Revolution Thomas Abgrall · May 2022
  • The image depicts a scene of a gathering in an urban environment during the evening. In the foreground, soldiers in military gear, including helmets, are present, with one holding a megaphone, suggesting a communication or announcement to the crowd. The background features a large, colorful wall or mural that displays the Lebanese flag and some Arabic text, likely conveying a political or social message. The crowd surrounding the soldiers appears engaged, with various expressions on their faces, indicating a sense of tension or anticipation in the atmosphere. The setting is illuminated by artificial lighting, hinting at the late hour. Lebanon. The Political Class Saved (provisionally?) by Covid-19 Jim Muir · April 2020
  • The image captures a large crowd gathered in an urban area, likely during a rally or protest. People are raising their hands, some holding flags, and others are holding up their phones, possibly recording the event. In the background, there is a large banner that appears to convey a political message, and a group of speakers is visible on a stage or elevated platform. The atmosphere seems energetic and filled with a sense of purpose, with bright lights illuminating the scene at night. Tripoli, “The Bride of The Revolution” Clothilde Facon-Salelles · January 2020
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