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Orient XXI Countries > Europe

United Kingdom

  • The image depicts a beach scene with a gray, cloudy sky creating a moody atmosphere. In the foreground, there is a large, black tarp or covering laid out on the sand, surrounded by smooth stones and scattered seashells. The beach appears to be wet, likely from recent tides, and there are gentle waves in the background. In the distance, a boat can be seen on the horizon, and rays of sunlight break through the clouds, creating a contrast with the darker tones of the sand and the tarp. Calais: “People are dying on your beaches” Maël Galisson · 5 February
  • The image shows a protest scene with demonstrators in the background. In the foreground, a person is holding a sign that reads, "A Vote for Labour is a Vote for Genocide. NO Ceasefire, NO fucking VOTE!" The atmosphere appears to be charged with political activism, indicating strong sentiments regarding a current political issue. British Elections and the Gaza War Helen Lackner · July 2024
  • The image depicts a gathering or protest where individuals are expressing their political views. In the foreground, a person wearing a green hoodie that reads "BOYCOTT ISRAEL" is facing another individual. The latter is wearing a face mask and has a traditional black-and-white patterned scarf. The setting appears to be in a public space, with banners and flags present in the background, indicating a demonstration related to Palestinian rights or opposition to certain policies regarding Israel. The Criminalisation of Solidarity with Palestine Is Gaining Ground in Europe Baudouin Loos · July 2023
  • The image features an artistic representation of a historical figure, likely a broadcaster or writer, positioned near a prominent entrance, possibly of a building associated with the BBC. In the background, there are decorative elements and text, which could be in Arabic, hinting at cultural significance. A finger reaches towards a vintage microphone marked with "BBC," suggesting an interaction with the image or a focus on the broadcasting element. The overall style appears to be a blend of illustration and graphic design, emphasizing both history and media. End of an Era for Many, As BBC Arabic Radio Closes Down Jim Muir · February 2023
  • The image features a watercolor painting depicting a mountainous landscape. The foreground consists of dark, shadowy mountains, while the background showcases a vibrant, softly blended sky transitioning from peachy pink to white. The overall mood is serene and atmospheric, with flowing colors that create a sense of depth and tranquility. 1915: Armenian Genocide. The Triple Entente Condemns it but Makes No Move Nicolas Lepoutre · September 2022
  • The image depicts a muddy landscape, likely after rainfall. The ground is uneven and dotted with puddles and dirt. Scattered across the terrain are several shoes, including a black dress shoe and what appears to be a wooden shoe or clog. There is also a long, thin object that resembles a cane or stick. The scene conveys a sense of abandonment and desolation, with lush green hills in the background under a gray sky. Show your ID! The Origins of Border-Circumvention in the Levant César Jaquier · June 2020
  • The image depicts a young individual sitting in a thoughtful pose, holding a rifle. They are wearing traditional attire, including a headscarf. The background appears to be blurred, suggesting a group of people or a gathering. The mood conveyed is serious and contemplative, highlighting themes of conflict or struggle. Oman: How the Shah of Iran Saved the Regime Marc Pellas · March 2020
  • The image shows a man with gray hair and a beard, dressed in a dark suit and a red tie, walking through a crowd. He appears to be in a busy outdoor setting, surrounded by photographers and cameras capturing the moment. The buildings in the background suggest an urban environment. The overall atmosphere seems to convey a sense of public attention and media interest. Anti-Semitism. Orchestrated Offensive against Jeremy Corbyn in the UK Jonathan Cook · December 2019
  • The image depicts a group of soldiers operating a mortar in a wartime setting. They are wearing military uniforms and are positioned in a trench-like area. One soldier is aiming the mortar, while other soldiers are present nearby, possibly providing support or preparing for an attack. In the background, there are tents suggesting a military camp, and additional soldiers can be seen, likely engaged in activity related to the ongoing conflict. The photo has a historical, black-and-white appearance, conveying a sense of the era in which it was taken. British Policy in Mesopotamia (April 1916-March 1917) Kristian Coates Ulrichsen · November 2019
  • The image features three F-35 fighter jets on an airstrip, showcasing their sleek and modern designs. The jets are positioned closely together, and the background features a blurred green landscape, indicating a rural setting. The foreground includes several lights lining the runway, which adds a sense of depth to the scene. The overall atmosphere appears dynamic and focused on military aviation. Turkey Faces the “Perfidy” of the West Timothy Reno · July 2019
  • The image features a stylized eagle with outstretched wings, depicted in white, set against a bright red circular background. The eagle is perched on a scroll or rolled-up document. The overall design is bold and simplistic, emphasizing the eagle's dynamic posture. Is “The Independent Arabia” Really Independent? Doha Chams · July 2019
  • The image depicts a collapsed building, showing significant structural damage with debris scattered around. The upper portions of the structure are crumbled, and various materials like concrete, wood, and personal belongings are visible. In the foreground, there are a few individuals, likely responders or onlookers, inspecting the site. The scene is illuminated by sunlight breaking through the clouds, which adds a stark contrast to the devastation shown. The overall mood conveys a sense of disaster and the aftermath of a catastrophic event. Yemen. Atrocious Record of an Endless War Helen Lackner · March 2019
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